• 视频
  • 演员
观看记录 清空
用户登录 关闭
账号
密码
欧洲的某个地方 680播放 HD中字

欧洲的某个地方

扫描二维码打开

1948年剧情片电影《欧洲的某个地方》讲述Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.由Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki等主演。

欧洲的某个地方哈影剧场高清完整版 欧洲的某个地方哈影剧场在线观看

哈影剧场猜你喜欢

  • 1126播放 更新HD 暗战1931之白乙化 刘子瑞,艾佳妮,王鲁,杜玉明,左金珠
  • 1282播放 更新HD 赤手空拳 亚历山德罗·加斯曼,弗朗西斯科·盖吉
  • 560播放 更新HD 火烧天堂镇 马修·麦康纳,亚美莉卡·费雷拉,尤尔·瓦斯克斯,阿什莉·阿特金森,丹尼·麦卡锡,斯宾塞·沃森,彼得·迪瑟,Taylor,Trujillo,卡丽·拉扎,克里斯托弗·哈根,Paul,Thompson,Mo,Beatty,乔安妮·玛丽,加里·克劳斯,Joellyn,Baca,杰梅因·华盛顿,Henry,Frost,斯蒂芬妮·琼斯,塞萨尔·米拉蒙特斯,Freddie,Martinez
  • 599播放 更新HD 器子 张孝全,李沐,娄峻硕,黄健玮,薛仕凌,尹昭德,程雅晨,吴承洋
  • 1236播放 更新第02集 史蒂夫 史蒂夫·马丁
  • 1270播放 更新HD 东极岛 朱一龙,吴磊,倪妮,王千源,余男,谷嘉诚
  • 1130播放 更新TC 浪浪人生 黄渤,范丞丞,殷桃,常远,李嘉琦,刘雪华,付航,孙艺洲,张本煜,易小星,小爱,邓恩熙,李治良,刘西蒙,郝瀚,杜梦涵,庄园
  • 631播放 更新TC 毕正明的证明 王安宇,张天爱,聂远,王彦霖,冯兵,邬家楷,孔令美,黄小蕾,冯雷,石云鹏,于白水,生港帅,楚布花羯,李晓川
  • 1201播放 更新TCV2 招魂4:终章 维拉·法米加,帕特里克·威尔森,本·哈迪,米娅·汤姆林森,麦迪森·劳勒,奥瑞恩·史密斯,艾略特·科万,碧悠·加德斯顿,彼得·怀特,Kate,Fahy,基拉·洛德·卡西迪,蕾贝卡·卡尔德,盖伊·奥利弗-沃茨,Tilly,Walker,Molly,Cartwright
  • 786播放 更新HD 全知读者视角 安孝燮,李敏镐,金智秀,林珍娜,蔡秀彬,郑成日,申承浩,朴浩山,Kwon,Eun-sung,Lewis,Hooper
  • 1121播放 更新HD B星球 阿黛尔·艾克萨勒霍布洛斯,索海拉·雅各布,埃利亚纳·乌姆夏尔,英迪亚·海尔,保罗·博雷佩雷,乔纳森·库兹尼,西奥·乔尔比,Amine Hamidou,莱奥·夏利,Grace Seri,Yassine Stein,马克·巴贝,蒂埃里·汉西斯,Mohammed Shiaa Alzaidawi,Déborah Lamy,Xuan Wei,Souleymane Touré,Luana Duchemin,Samer Fallaha,Pauline Acard
  • 874播放 更新HD Babah 暂无简介

RSS订阅 - 百度蜘蛛 - 谷歌爬虫 - 神马爬虫 - 网站地图

哈影剧场提醒您请支持正版!本站所列内容均为自动采集无人值守,本站不参与录制、存储及上传,如若侵权请留言告知,我们会尽快处理,谢谢!

© 2025 www.haying.cc Theme by 哈影剧场